Recorded in 1976 at the York University Electronic Media Studios in Toronto, Ontario, Vernal Equinox is Jon Hassell's first recording as a solo artist and sets the stage for his then-emerging career as a trumpeter, composer and musical visionary. "Toucan Ocean" opens the album with two gently swaying chords and delicate layers of percussion that provide a cushion upon which Hassell unfurls long, winding melodic shapes. His trumpet is sent through echo and an envelope filter, producing a stereo auto-wah-wah effect. "Viva Shona" features accompaniment by mbira, subtle polyrhythmic layers of percussion, and the distant calling of birds. Again filtered through echo, Hassell's gliding trumpet lines sound remarkably vocal. "Hex" features a bubbling, filtered electric bass part with a denser web of percussion. From his horn, Hassell elicits moans and sighs that are at first unaffected and later filtered. "Blues Nile" is a long, blue moan. Hassell's breathy, multi-tracked trumpet lines call and respond to one another, weaving a web of deep calm over an ever-present drone. This track clearly points the way to his later work with Brian Eno, in particular, their "Charm Over Burundi Sky." On the title track, Hassell's "kirana" trumpet style is in full bloom as he dialogs with the percussion. Hassell's most elegant melodicism blossoms forth here, and his unaffected horn often sounds disarmingly flute-like. The influences of his study of raga with Pandit Pran Nath are clearly discernible in the curvaceous melodic lines and overall sense of meditative calm within harmonic stasis. Throughout the album, percussionists Naná Vasconcelos and David Rosenboom add subtle, supple grooves and colors. "Caracas Night September 11, 1975" is a beautiful field recording featuring Hassell's plaintive trumpet commentary, subtle percussion interjections, and the sound of caracas humming and buzzing in the background. The first several tracks of Vernal Equinox bear the imprint of '70s-period Miles Davis, in particular the quiet ambience of "He Loved Him Madly" and parallel passages from Agharta. The envelope filter on Hassell's horn similarly draws a reference to Davis' use of the wah-wah pedal from that time. Nonetheless, in 1976, Vernal Equinox was remarkably unique and ahead of its time, and sowed the seeds of Hassell's influential Fourth World aesthetic, which he would continue to develop and refine. Decades after its release, Vernal Equinox still provides an enchanting and entirely contemporary listening experience.
Casperous Vine is a very interesting band, i have discovered lately.My friend , Monika Žulpaitė , a Lithuanian artist is the flautist of this band, so that`s how i got to know about it.
I love the diverse tunes of their works.Makes me think about latin, balcanic, jazz tunes.
Really cool stuff.
You might read more about the band from the notes below (notes are copy-pasted from their facebook page).
Enjoy the music too :)
About
Casperous Vine is a concept realized by composer/multi Instrumentalist Paul Christopher Kozlowski in early 2000's Biography
Mysterious Description
Casperous Vine is a concept realized by composer/multi Instrumentalist Paul Christopher Kozlowski in early 2000's after the dissasemintation of experimental grindcore outfit Parade of the Lifeless. Casperous Vine has satellite formations in 4 countries and functions as a modified string quartet, sometimes as a small chamber octet, duo formations and now for the first time an electric quartet in Tenerife, Spain.
Launched 2013 Genre world-fusion Members Paul C. Kozlowski guitar, accordion, compositions
Rafa Munoz electric bass
Mosco Juan Carlos Leon soprano sax
Aidas Brickbat drums
Monika Žulpaitė flute
Hometown USA-Spain-Tenerife-Lithuiania
Record Label Independent
General Manager P. C. Kozlowski
Current Location Los Silos, Tenerife, Canary Islands, Spain Casperous Vine website Casperous Vine facebook page
This Anoushka Shankar song made my day.
Makes me think about fluid states , auras and fragrances.
Makes me dream about floating.
Loved it..hope you`ll enjoy too...
It's been a hard day's night, and I've been working like a dog It's been a hard day's night, I should be sleeping like a log But when I get home to you I find the things that you do Will make me feel alright
You know I work all day to get you money to buy you things And it's worth it just to hear you say you're gonna give me everything So why on earth should I moan, 'cause when I get you alone You know I feel okay When I'm home everything seems to be right When I'm home feeling you holding me tight, tight, yeah It's been a hard day's night, and I've been working like a dog It's been a hard day's night, I should be sleeping like a log But when I get home to you I find the things that you do Will make me feel alright
Owwww
So why on earth should I moan, 'cause when I get you alone You know I feel okay When I'm home everything seems to be right When I'm home feeling your holding me tight, tight, yeah
It's been a hard day's night, and I've been working like a dog It's been a hard day's night, I should be sleeping like a log But when I get home to you I find the things that you do Will make me feel alright You know I feel alright You know I feel alright...
I'm pilgrim in this world
I became a vagrant because of your love
I traveled in many countries
just because of you
Many bottles overturned in honor of your love
I remained soaked under the rain of love
I kept thinking of you all time all alone
I can't do it without you
I can't live without you
This rain of love
doesn't bring you to me
I became a vagrant When I first listened to this song, I was so impressed of this heartwarming, naive song and of the video shot in the same style.It was very popular many years ago and I can say that this is the song i love best from this group.You may find the words a bit arabesque, but believe me it looks and feels very much different in turkish.Don't know why but i find this one very close to us albanians as well.What do you albos think?
Hopeall of you will enjoy it.
Some infos on the group:
Replikas is a post-rock, experimental rock band from Istanbul, Turkey.
Their debut album, Köledoyuran was released in 2000 and the band set its place in Turkish rock scene with their unique sound which combines western and eastern music. Their second album, Dadaruhi followed in 2002. Apart from these albums, Replikas had several soudtrack attempts for Turkish movies.
With their unique sound, Replikas was recognized by some foreign record companies. After getting signed to Doublemoon record label, their third studio album, Avaz was released in 2005. The album was produced by Wharton Tiers, a world-known producer who also worked with bands like Sonic Youth, a great influence on Replikas' work.
Replikas' members being big fans of Sonic Youth, the band opened for Sonic Youth on their first Turkish concert in May 2005.
Repilkas provided the soundtrack for the film İki Genç Kız. The band was also featured in Fatih Akın's 2005 documentary on the Istanbul music scene, Crossing the Bridge: The Sound of Istanbul, performing the song "Şahar Dağı." (info from wikipedia)
Other news from the press: The group is recording their new album , which is said to be launched this September.They are recording it out of studio , to get the best of acoustic sounds.After prolonged researches in Turkey,the band has decided to use the old half open air jail of Gokceada .
Yeah..it's some days I'm enjoying the fantastic experience of ipod.Just love it.With the 30 GB place is just like a freaking black hole ready to absorb everything:) I got one new epidemic idea for you guys: Share your actual top 10 songs .Here are mines:
Last week I had a great time at Galata Tower's Celebrations.Each year different activities are held under this wonderful old building, which used to be the highest building of the old Istanbul.One month ago , fashion festival of different stylists (well known or no-name ones) took place.But this one was really a different one.It was not just a concert place , different stands with antique and authentique goodies were present as well.You could perceive their nostalgic aura much better under Galata Tower. The festival last 3 days and different programs and musician groups participated (French musicians from Burgogne-Morvan Zone , Indian music accompanied with sahaya yoga , Classical Music , Turkish Folk Music etc). Also exhibitions with photographs from Galata, mosaic workshops were present.(that was the best part of course:) Also books promotions and diffferent dance groups made this festival even more vivacious. We even had a tour at Galata and the surrounding places.This zone is very popular now , maybe because all of the artists have their workshops or working places here .It's so different from 10 years before and because of the popularity that has been growing day by day the real estate prices are so unbelieveably high!! On Sunday , the last day of the festival , we had some great moments under the cool music of the Rhythm Workshop Of Okay Temiz.You could see everybody dancing or shaking their body (including me:)) For more infos on this cool workshop drop a look here: www.ritimatolyesi.com
Albanian digital and analogue photographer with a huge love for alternative printing process and all other avantgarde mixed media techniques.
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